![]() ![]() Nalo Hopkinson's Midnight Robber (2000) fashions unconventional scenarios premised on technological development and provides unorthodox versions of future societies. In this essay, I argue for a broader vision of cyberpunk, including the novels of authors situated "on the receiving end of the colonization," particularly Nalo Hopkinson, whose future visions render visible current socio-economic inequities and increase the cultural repository of ideas that inspire technological development. The genre offers a singular vision of the imminent production and deployment of technology in the service of capitalism writ large. In the 1980s, cyberpunk helped to revitalize interest in science fiction among academic and popular audiences.
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